Art is for Everyone

If you had to describe Warrnambool as though we were speaking to someone who’d never been – what would you say? Would you mention the quality roads, the waste services and adequate infrastructure? No, you’d tell them about its picturesque beauty, the natural wonders, the whales and the penguins, the cafes and the great family adventures to be had.

In posing this question Wishart gallery Curator and Artist, Gareth Colliton demonstrated a wonderful point about why people travel. Not for the roads or the health services, but for the art, the culture, the architecture. He reasoned that experiences with art and culture are what we as humans live for, and that governments on the whole have seemingly lost sight of this. In a perfect world, there would be artists in all tiers of Government, having input into decision-making across the board. Unlikely, given the tight fiscal environment facing local government in particular, however there is certainly merit in having public art as an underlining consideration in infrastructure projects and town planning.

Who knew that Warrnambool had such a wealth of hidden art gems! Take a tour through the laneways of the CBD and you’ll find not only large commissioned works adorning the walls, look and you’ll find all the guerrilla artworks and sculptures. It’s a constantly changing landscape and one which artist-run initiative, the F project, www.thefproject.org.au is very proud of www.warrnamboolstreetart.com

The F Project aim to encourage and support community artists and contemporary arts practice, while promoting social change and exploring creative engagement opportunities. Their contemporary gallery has a retail shop, a workshop space, and an artist-in-residence studio available to foster the production and exhibition of local art. More promotion of this studio space and residence is paramount to ensure its ongoing viability, and would also serve to celebrate the wonderful work from the local volunteer group.

Thanks to our presenters Vanessa Gerrans – Director Warrnambool Art Gallery www.thewag.com.au, Gareth Colliton – Curator, Wishart Gallery www.wishartgallery.com.au and Jill Rivers – Arts for Wellness Advocate.

Taking an Industry Perspective

Thought provoking presentations highlighted the influence of industry on communities’ triple bottom line (economic, social and environment outcomes) and the interplay of government; programs, departmental support and policy in strengthening the viability and sustainability of local industry. Unique examples of this at the local level (Entrepreneur program), at state level (The Victorian Gas Program) and federal level (The National Energy Guarantee).

As with all our program days, one can’t help feeling a sense hope and pride in our employed government representatives like; Brenda, John and Grant for the work they are achieving individually and departmentally to improve our communities triple bottom line. Not to mention the role of industry leaders like Dion (Alcoa) and Kara (Port of Portland) and the value they add.

I usually come away with a sense of frustration from our Program Days. The frustration emanates from how government political agendas at all levels are getting in the way of community informed evidence-based debate.

The Victorian Gas Programme as Grant described sounds like a great process using science and research to inform and influence community engagement and debate to create greater understanding and alignment of decision making for future decision making by government on gas exploration in Victoria.

The National Energy Guarantee on the other hand appears to be an example of what not to do to in seeking independent advice (Finkel review) and then ignoring it with no informed community debate.

The challenge is getting our energy mix right in terms of cost, security and sustainability – where is Alcoa in this future mix, and what effect will this debate have on the Great South Coast (GSC) regions triple bottom line?

As leaders of the GSC region we need to advocate for better evidence informed debate aligned with community engagement and local solution generation to inform government decision making.

We have seen the same issues occur within the health sector, the education sector, the dairy industry etc. We can do better and it starts with us as leaders asking for more evidence based data to inform local debate and consultation at the GSC level.

Mark Brennan, Program partcipant

Thanks to our speakers, Dion Gallagher, Portland Aluminium, Metals Manager, the Port of Portland CFO, Kara King, John Krbaleski from the Department of Economic Development, Jobs, Transport and Resources (DEJTR), Grant Clarke also from DEJTR, Victorian Gas Program and Brenda Callahan, Business Adviser for the federal government’s Entrepreneur Program.

Taking an Industry Perspective

Regrowth Launched

Regrowth is a photographic installation that examines Koroit’s history and landscape through contemporary Australian sculpture.

The work takes imagery from Tower Hill’s cliffs and places them onto the Port Fairy to Warrnambool Rail Trail and surrounding farmland. The work creates the dramatic illusion of a cliffside bursting out of the ground, acknowledging the area’s vibrant, volcanic identity.

The work acts as a marker, acknowledging the Koroitch Gundidj people from the Peek Woorroong Tribe within the Marr Nation as traditional ownersof the land, highlighting their ever-present connection with Tower Hill and Koroit. The area was a shelter and a rich source of food; archaeological surveys have uncovered indigenous artefacts in the volcanic ash layers of Tower Hill.

Local Aboriginal people would undoubtedly have witnessed the eruptions which have made such a significant impact on the region.Tower Hill’s landscape changed dramatically during colonisation and the subsequent years of farming by English and Irish immigrants. Today, Tower
Hill is again covered in native bush, hinting at how the area looked prior to European settlement.

Regrowth references Eugene Von Guérard’s painting Tower Hill, 1855, which was used as a botanical template, over a century after its creation, to reclaim denuded agricultural land and repopulate Tower Hill with indigenous flora and fauna.

This photographic sculpture aims to echo the social and environmental impact of Von Guerard’s artwork, and examines where Koroit has comefrom, where it is now, and where it is headed.

Regrowth was created by James Voller, in a project initiated by Leadership Great South Coast 2017 Alumni and supported by: Regional Development Victoria, The Isobel and David Jones Family Foundation, The Hugh Williamson Foundaion, A L Lane Foundation, South West Community Foundation and Moyne Shire.

Congratulations to 2017 Alumni – Jacinta Lenahan (Project Lead), Leon Senchenko, Shane Stenhouse adn Brendan Hawkins

With thanks to Project Mentor/ LGSC Alumni – Gareth Colliton, Curator Whishart Gallery Port Fairy